“Muzick is Magic!” Takes The Shadow By The Horns

 

MuzickThe unfolding of the newest project from the enigmatic dcTalk singer, former-Audio Adrenaline frontman, and always independent (in one way or another) artist Kevin Max, PLAYING GAMES WITH THE SHADOW, has been an absolute pleasure to behold (read my brief review here). With eight tracks currently available through Max’s Pledge crowd-funding site and iTunes, and the possibility of a few tracks yet to see the light of day on an eventual extended version of the album, the album feels more like a living, breathing entity than a static collection of songs.

While I’ve certainly got other favorites, one song, in particular, definitely adds “…and kicking!” to the “…a living, breathing…” descriptor that I just mentioned for the newest Kevin Max record: “Muzick is Magic!”

“Muzick is Magic!” reminds me of the intensity and dynamic that Kevin Max achieved on his 2004 collaboration with Erick Cole, “21st Century Darlings,” but, resonates loudly on its own terms, too. The thundering drums of The Choir‘s Steve Hindalong, and the guitars and bass of Lynn Nichols and Dwayne Larring riff an appropriately throbbing, rock and roll canvas for Max to scribble his punk-apocolyptic lyrical interpretations of the state of the world upon.

Whether Max is offering a prophetic critique of American culture’s desensitization to the stark realities that exist in the rest of the world or just scratching an itch to lay down a scorcher decrying the industrialization of art, I don’t claim to know. But, the song rocks at a gut-level that I can’t help, but, to love. While other songs on PLAYING GAMES WITH THE SHADOW succeed on their own terms, on “Muzick is Magic!,” Max masterfully swung his magic wand around, channeling an angst and passion similar to that of “White Light, White Heat, White Trash”-era Social Distortion and “Accelerate”-era R.E.M. — punk passion intermingled with the wisdom of experience…and I’m thankful for his wisdom.

That said, the lesson we can glean “Muzick is Magic!,” seems to be this: COLOR LOUDLY! – OUTSIDE THE LINES!


Check out PLAYING GAMES WITH THE SHADOW on Pledge Music and keep up with all things Kevin Max at www.kevinmax.com, on Facebook, and Twitter.

Land and Water

I wrote this blog post three years ago and it is still relevant today (except for the references to running which, unfortunately, I’ve had to give up since then). Please take a few minutes to read.

m e a n d e r s

A major difference between water and land is the fluidity of water. It moves. It can be contained, to a certain extent, and it may even be characterized by currents that travel within in predictable ways. But, in general, it is free, wild and anything but still. Even when sitting in a glass, seemingly motionless, particles of liquid are evaporating into the air, out of sight.

I live in the south. I didn’t grow up here and I don’t honestly see myself living out the rest of my days from this cul-de-sac point of view, but, who knows? It is, after all, comfortable. I have a decent back yard, an office space to myself above the garage, a membership to the local Y, and plenty of places nearby to run as I continue trying to work toward one of the characteristic benchmark achievements of middle-aged, middle-class, health-conscious white folk like…

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Meanders Music Review: PLAYING GAMES WITH THE SHADOW by Kevin Max

cibmdqmukaagjqlPLAYING GAMES WITH THE SHADOW, the latest in a prolific stream of output from Kevin Max, may very well be his most brilliant work yet. The fact that Max describes the new project as his first real album due to an intentional exclusion of outside influence in the songwriting process has me rubbing my hands together in anxious anticipation of what could yet be if he continues on this path.

Last year’s  BROKEN TEMPLES was a fantastic album and THE IMPOSTER is a long-time standard, but, on PLAYING GAMES WITH THE SHADOW Max freed himself to explore the musical and lyrical dynamics that exist between dessert valleys, Sunset strips, midnight shadows, and pre-dawn hope in a manner both deeper and more transparent than he’s written in on prior albums. “The Skin Of Our Teeth,” “Election,” and “Girl With The Tiger Eyes” stand as testaments to the fact that the thick skin Max has carried over the years as a member of dcTalk and Audio Adrenaline has been pulled back.

The lyrical victory on PLAYING GAMES WITH THE SHADOW, though, is clearly rivaled by the stellar roster of players and studio hands that Max arranged to work on the album from John Mark Painter (Fleming & John; Steve Taylor & The Perfect Foil) and Dwayne Larring (Audio Adrenaline; Sonic Flood) to Steve Hindalong (The Choir) and others, musical alchemy runs rabid on songs such as “Muzick is Magic!,” “Phantoms of Terra,“”Panic Button,” and “William Blake.

Stylistically, the album is a measured, yet, raucous potpourri of sound. PLAYING GAMES WITH THE SHADOW is the embodiment of new wave, punk, and industrial accents masterfully woven together into a flourescent musical tapestry born out of the mind of Kevin Max.

Consider this written account of the impression that PLAYING GAMES WITH THE SHADOW has made on me a raised-glass toast to the prospect that there’s a lot more where that came from.

Get PLAYING GAMES WITH THE SHADOW through the Pledge Music Campaign

Preview PLAYING GAMES WITH THE SHADOW streaming now at RELEVANT MAGAZINE

Purchase on iTunes