New Kevin Max EP SERVE SOMEBODY drops July 7th on Gotee Records

From the moment that DC Talk member/former-Audio-Adrenaline-frontman/ever-evolving-solo-artist/poet/writer Kevin Max leaked the demo for his cover of Larry Norman’s “Righteous Rocker” on his Soundcloud page, my interest and enthusiasm for the upcoming cover project SERVE SOMEBODY skyrocketed! With fuzzy bass, thick, crunchy guitar, and production assistance in the able hands of Nashville rock music star handyman John Mark Painter, the track breaths and grooves with heavy classic rock strides that grabbed me immediately from the first listen and haven’t let go.

Max then leaked another demo version through Soundcloud that fully affirmed and solidified the high level of anticipation sparked by “Righteous Rocker.” The second being a cover of Bob Dylan’s 1979 classic, “Gotta Serve Somebody,” again flaunting a spot-on classic blues rock vibe that fits the song like a well-worn, but, form-fitting leather biker’s boot. “Gotta Serve Somebody,” also features soulful, textured layers background vocals provided by Painter’s wife and longtime musical partner, Fleming McWilliams.

The first impression of this yet-to-be-released covers project, based on these two unfinished songs, is resoundingly positive and I expect that the other tracks that will be included on the EP will not fail to satisfy, either.

The EP is scheduled for release on July 7 from Gotee Records.servesomebody

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Top Two Music Picks from 2016


The two albums that have proven to be the cream of the crop of new music that I’ve listened to in 2016 surely represent differences in the perspectives and personalities of their creators, but, they also have a good deal in common.

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Original review of Playing Games With The Shadow

Playing Games With The Shadow by Kevin Max is a mysterious brew of self-reflection, espionage, jaded experience, angst, and hope filtered through the post-punk/new wave musical filter that is the mind and iconic voice of Kevin Max. One-third of DC Talk and former frontman for Audio Adrenaline, but, never one to sit still and grow stagnant, Max seems hellbent on toeing the line between what is true, what has never been done before, and what he can get away with on Playing Games With The Shadow. The assemblage of tunes featured on this album provide an intriguing experience for listeners who find themselves on the fray, surveying the heights, mysteries, and depths of their own life experiences. Tracks that showcase a heavier rock influence such as “Election,” and “Music is Magic!” are highlights for me, but, the significant new wave tilt of “William Blake” is hard not to love.

The bridge that I stand upon while writing this is the common mile marker that both Max and Steve Hindalong share with regard to their musical journeys. Max has established a developed a solo career by repeatedly stepping out of what is comfortable in favor of the undefined and unknown. Steve Hindalong, founding member and songwriter for the legendary alternative band The Choir, like Max, has sustained a musical career by routinely surveying the edges of what is possible and stepping over them on his own accord.

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Original review of The Warbler

Hindalong’s second solo release, The Warbleris a sincere, well-articulated, and vulnerable conversation that surveys the artist’s experiences, temptations, blessings, and resolutions. From the love and compassion that we feel for those we love as they struggle with life’s biggest trials (“Shellie’s Song” and “Cloudburst”), to the tensions aroused by temptation and addiction that so many battle with on a daily basis (“Into the Drink” and “Outta My Mind”), Hindalong exhibits his skill as a wordsmith, articulately dissecting the emotions of both himself and the listener, making sense of them in the form of songs that range in tone and tempo from nuanced and delicate folk tunes to unbridled rock vents complete with distorted feedback and tachometer-breaking jams. A personal favorite, for me, is “O Jimmy A,” a nod of tribute to artist/musician Jimmy Abegg. Like some of the other gentler songs on the album, the lyrics dance in combination with the song’s arrangement (which happens to feature the voice other-worldly voice of Kevin Max in the background) to create an almost ethereal sound – a real treat for the listener.

Both Max and Hindalong  masterfully articulated their experiences stepping through the dark shadows that exist in spite of, and because of, the existence of the light, on these albums, by assembling the right mix of studio musicians and production to compliment their own songwriting and performance sensibilities.

Anyone willing to invest some of their own time and pocket change in these latest reflections upon the life/musical journeys of Max and Hindalong, as featured on Playing Games With The Shadow and The Warblerwill likely be more than gratified with the comfort of commonality between the artists’ and their own stories.

Purchase PLAYING GAMES WITH THE SHADOW b y Kevin Max at Amazon, on iTunes, or at Kevinmax.com

Purchase THE WARBLER by Steve Hindalong at Amazon, on iTunes, or at TheChoir.net

Embracing “The Girl With The Tiger Eyes” by Kevin Max

I was talking with a friend recently and he brought up the point that radio stations like KLOVE and AIR1, unfortunately, are defining what is considered acceptable in the Christian marketplace by controlling such a large market share, but, exposing such a narrow template that artists who hope to be played must adhere to in order to even have a chance to survive. Because of this fact, artistry in the Christian world is on a very short leash and it is a disturbing reality since, as Christians, we are not called to reach other Christians, but, to reach the world. How can we do that when we encase ourselves in clean, pre-fabricated plastic molded for optimal marketing potential?

I truly appreciate several of the songs that I’ve heard, so far, from the forthcoming Kevin Max album, PLAYING GAMES WITH THE SHADOW, and the fact that Kevin Max is doing what he does.The video for “Girl With The Tiger Eyes,” while it may raise a few eyebrows in some circles, is an articulate metaphor for the demons that so many of us carry around. Whether hidden in a basement or exposed for all to see, the skeletons in our past (and often our present) are most often neither pastel-colored nor family friendly. There is value in remembering and acknowledging the dark that we deal with – a therapeutic aspect. It is only when we stare down our own brokenness and sift through our own ashes that we can submit to grace and let the rebuilding begin because, if we’re only willing to reveal our surface-level, kid-glove veneers – our Sunday best, we’re lying to ourselves, to God, and the world around us. We’re offering no value. If we can’t affect others at a gut-level and reveal the holes and traps that we’ve fallen victim to, ourselves, we may not affect them at all due to our own vain hypocrisy. There’s an entire world full of drunkards, junkies, victims of abuse, prisoners, and thieves out there that Jesus sought out to spend time with. I’m glad that there are Christians like Kevin Max out there ready, willing, and able to bridge the gap between reality, art, and God in a manner that so many out there on the Road Show/KLOVE/Winter Jam/Hits Deep circuits fail to even attempt due to the fact that they know they won’t get played on Christian radio. There is most certainly a place for clean, family friendly lyrics of praise and pastoral landscapes. The bible instructs us to focus on these things in our personal lives. But, we’re also called to tell the truth.

Unlike His followers, God specializes in those with the deepest wounds. I think we’re often scared off by the possibility of becoming uncomfortable or even being inconvenienced behind our white picket fences. As a parent I know that I get very nervous when it comes to thinking about who or what my kids’ attention is being drawn to when they’re not within my reach, so, I get that. But, I also think that there needs to be a distinction drawn between youth group Christianity and mature Christianity. We need to engage the youth demographic in learning to be thoughtful and critical of what they are listening to, watching, doing, who they are spending their time with and why. I don’t want to cut my kids off from exploring various forms of art (whether music, visual, etc.), but, instead I want then to learn to think critically about it instead of rejecting everything they see and hear in a conditioned knee-jerk manner.

I believe that, if I can effectively raise my kids with that perspective, they will be more equipped to be mature Christians that aren’t driven by fear, but, instead, by truth and confidence in faith and so that they can be free to reach out and consistently show love and respect to those who are different and who may not know Christ on a personal level. If Christians could make an effort to do this as a whole, I don’t think there would be a “religious right” in American politics and Donald Trump wouldn’t have the following that he as (not that the religious right and Trump are always one-in-the-same). People tend to love less when they fear more and the current political climate is capitalizing on that fact.

Kevin Max, to me, represents an important aspect of the mature Christianity that I’m talking about. I wouldn’t say that his entire catalog of poetry and music is representative of it, but, who he is and the art that he produces is certainly a part of the spectrum. Life and the potential that each of us has to affect others and live out our faith happens, most often, off church grounds. Our art, our deeds, our thoughts, and actions should, likewise, be rooted in God (and nurtured in devotion privately each day – as well as with other believers), but, focused in an outward direction and articulated in a way that engages those on the fringe and the outside instead of scaring them off with our Christianese clique subculture.

Max’s forthcoming project, PLAYING GAMES WITH THE SHADOW, I believe, is exemplary of the kind of artful, thoughtful music that is well underrepresented in Christian music and, for that matter, music in general. Thankfully, there are enough people who get it and value the role that his music, and other music like it, plays in the real-world daily lives of so many and the potential that it has to engage those just outside in a way that is as relevant and articulate, in not more so, than anything out there, Christian or secular.

Learn more about how you can support Max’s new project,  and get eight new songs including “Girl With The Tiger Eyes”, here: PLAYING GAMES WITH THE SHADOW.

BROKEN TEMPLES by Kevin Max is out NOW!

kevin-maxThe long-awaited album BROKEN TEMPLES, by Kevin Max, was officially released yesterday and made an immediate impact on iTunes, especially considering the fact that the album was released without a major label media machine to hype it’s arrival prior to release day. Truly, it is an amazing album! But, I’m taking a couple more days to soak it up before I write my review. In the meantime, check out these reviews that have already been published and then look it up on iTunes or Amazon:

Jesus Freak Hideout – 4 out of 5 Stars

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Christian Review – 4.5 out of 5 Stars

1 Day Until BROKEN TEMPLES – A Kevin Max Countdown Retrospective: “Light Me Up,” “Infinite,” and “Kings & Queens” (acoustic)

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Kevin Max’s newest project, BROKEN TEMPLES, will officially be released on March 10. I’ll be counting down the remaining days to the release of the album on this page with a post each day exploring and celebrating, in no particular order, some of his prior creative ventures.


With just one day to go in this Kevin Max countdown retrospective our focus begins to shift from surveying the past to the present and what listeners can look forward to from BROKEN TEMPLES. “Light Me Up” is the second track on the new album that will release officially on Tuesday, March 10, and it brandishes an unapologetically pop tone that emphatically celebrates the dramatic shift that God’s grace can account for once someone realizes and yields to their need for Him as a broken temple that can only be filled and purposed by His compassion and love.

Infinite” celebrates the fact that God is so much bigger than we are. It is a notion we would be wise to keep in mind as we stumble forward through our mistakes and questions about why things happen the way that they do. God’s knowledge, wisdom, providence, and love is not restricted to the confines of a political party, the understanding of scientists, or the mental constructs of men. Likewise, Max has proven with this song that God can be praised and celebrated beautifully in ways that don’t strictly adhere to the formulaic constructs of songs that fill the airwaves of mainstream Christian radio. Every element of God’s character is limitless and peace can only be found in surrendering to that fact and trusting Him. He is a creative God. I’m so thankful for those, like Kevin Max, who continue to creatively chip away at the boundaries of what we think music can be while simultaneously honoring an infinite God with their art.

While its true that I featured “Kings & Queens” once already in this retrospective, I can’t help but to include this clip, too, which features Max, with Audio Adrenaline (including original Audio Adrenaline lead singer and Hands & Feet Project director Mark Stuart on tambourine), as yet another example of the quality of Max’s craft. It is a one-shot, live, acoustic rendition of “Kings & Queens,” a song that is a call for Christians to live up to the mandate of James 1:27 to care for the orphans of the world and Max delivers a flawless vocal performance. His voice is amazing live as well as in the studio and his new album BROKEN TEMPLES continues to deliver unparalleled vocal performances in combination with poetic lyrics that offer a greater combination of hope and beauty to the listener that can be found anywhere else in the music world.


Stream the new album BROKEN TEMPLES at New Release Tuesday

BROKEN TEMPLES by Kevin Max - coming March 2015


Read my personal explanation about why the music and poetry of Kevin Max has been so important to me.


OTHER FEATURED SONGS IN THE KEVIN MAX RETROSPECTIVE:

2 Days Until BROKEN TEMPLES: The Poetry of Kevin Max and “Cave Of A Million Songs”

3 Days Until BROKEN TEMPLES: “Believer”

4 Days Until BROKEN TEMPLES: “Get On Yer Bike”

5 Days Until BROKEN TEMPLES: “Consume Me” & “Save Me”

6 Days Until BROKEN TEMPLES: “21st Century Darlings”

7 Days Until BROKEN TEMPLES: “Just Between You And Me”

8 Days Until BROKEN TEMPLES: “Kings & Queens”

9 Days Until BROKEN TEMPLES: “When He Returns”

10 Days Until BROKEN TEMPLES: “Day By Day”

11 Days Until BROKEN TEMPLES: “Existence”

12 Days Until BROKEN TEMPLES: “Alas My Love/The Hard Way”

7 Days Until BROKEN TEMPLES: A Kevin Max Countdown Retrospective: “Just Between You And Me”

Kevin Max’s newest project, BROKEN TEMPLES, will officially be released on March 10. I’ll be counting down the remaining days to the release of the album on this page with a post each day exploring and celebrating, in no particular order, some of his prior creative ventures.


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“Just Between You And Me” was a breakthrough, crossover hit on mainstream radio in 1996 for Kevin Max, Toby McKeehan (TobyMac), and Michael Tait (Newsboys) of dcTalk. The song played a significant role in propelling the JESUS FREAK album to double-platinum sales and legendary status within the realm of Christian music. The video for the song received major airplay on MTV and VH1 as well. The song showcases a perfect vocal blend of Max and Tait that, clearly, couldn’t help, but, to be recognized by the world at large, regardless of the Christian music classification.

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Join Kevin Max on NRT Live on release day, Tuesday, March 10 at 6PM PST/9PM EST

Read about what I get out of the music and poetry of Kevin Max and check out how you can get a digital download of the new project BROKEN TEMPLES (with two bonus tracks!) before the official March 10 release!

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Pre-order BROKEN TEMPLES

Purchase and Download the music of Kevin Max on iTunes

Kevin Max on iTunes


OTHER FEATURED SONGS IN THE KEVIN MAX RETROSPECTIVE:

8 Days Until BROKEN TEMPLES: “Kings & Queens”

9 Days Until BROKEN TEMPLES: “When He Returns”

10 Days Until BROKEN TEMPLES: “Day By Day”

11 Days Until BROKEN TEMPLES: “Existence”

12 Days Until BROKEN TEMPLES: “Alas My Love/The Hard Way”

The Countdown To BROKEN TEMPLE: 12 Days To Go Until The Latest Release From Kevin Max

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Kevin Max’s newest project, BROKEN TEMPLES, will officially be released on March 10. I’ll be counting down the remaining days to the release of the album on this page with a post each day exploring and celebrating some of his prior creative ventures.

TODAY: A clip from the dcTalk era that showcases some of his early poetry in combination with what I would have to classify as one of my personal favorite dcTalk songs, “The Hard Way.” Just as this post features a hybrid of Max’s creativity as a performer and a poet, “The Hardway” is a song that appealed to me at the time of its release specifically because of its articulate and meaningful portrayal of the dynamics of spiritual life: the grace and hope of God juxtaposed against the darkness and struggle of the world. Max’s body of work as a whole, with regard to the various vehicles he’s chosen to express himself through, but, also, in relation to the soul journey that he has continued to document honestly over the course of his career, continues to be a hybridization of pure light against the tangible backdrop of a dark world – a modern-day Caravaggio. He consistently keeps the conversation relevant for a segment of society that hears the call of the spirit, but, has been become jaded by the shortfalls of pop Christian culture. Despite the apparent odds, God can still work miracles through each of our own personal broken temples.

Read a bit about what I get out of the music and poetry of Kevin Max and check out the new project!

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