Kevin Max Launches Pledge Music Campaign for Vinyl Remake of Debut Album

Kevin Max of DC Talk and the voice behind Audio Adrenaline’s hits “Kings & Queens” and “Believer” has announced a Pledge Music campaign that will bring a remastered version of his 2001 solo debut album STEREOTYPE BE to vinyl. The drive has a slew of amazing perks that pledgers can claim ranging from signed vinyl copies of STEREOTYPE BE to overnight stays and horseback riding at Max’s BLIND THIEF FARM just outside of Nashville. One highly anticipated perk is a download of new acoustic versions of songs from the album recorded with longtime Max writing/playing partner Erick Cole that will be available  in some packages. Take a look for yourself at what is available at Max’s Pledge Music page.

Source: Kevin Max Launches Pledge Music Campaign for Vinyl Remake of Debut Album

Play Fantasy Football and Help Orphans in Haiti

HAFFFcover

There’s just a few hours left to register for a season’s worth of fun playing fantasy football while simultaneously supporting such a critical and worthwhile organization in their mission to care for the orphaned and abandoned children of Haiti and keep more Haitian families together. For a $50 donation to the Hands & Feet Project you can either join the BIG BIG YARD Fantasy Football league hosted by rapper KJ-52 or the BIG BIG YARD Fantasy Football league hosted by Sidewalk Prophets lead singer David Frey.

Over the course of the season you’ll get to participate in a live online draft and compete in weekly head-to-head match-ups with the artists and other fans. At season’s end, the best-finishing non-artist team owner in each league will win VIP meet-n-greet tickets to one of the artist’s upcoming concerts and a custom, hand-crafted Haiti Made coach’s gift kit! But, don’t wait because there are just a few spots left and the registration deadline for the KJ-52 league is midnight  ET tonight! Registration for the Sidewalk Prophets league will close midnight Monday.

JOIN US and register right now!

Who Are You?

It is common to hear people say, “Oh, just be yourself.” But, if somebody tells you to do that, do you know what really means? Who are you?

I battle daily to keep my thoughts, actions, and words in line with each other. I want what I’m thinking to sync up with what I’m saying, what I’m doing, and how others see me. That said, it all starts with what I’m thinking. The battle begins with what I devote my attention to.

Naturally, my attention shifts depending on where I am. At school, my attention is divided between the different roles I have as a teacher. At home my attention is divided between my wife, my kids, my responsibilities in the house, and my personal interests. At church my attention varies depending on whether I’m helping my wife teach Sunday school, catching up with another church member, or participating in worship.

But, in each of those places, and many different places in between, I must constantly battle the temptation to put myself first. It’s natural. It takes no effort at all to do what comes by default: view my moment-by-moment life experience in terms of what is most fun, comfortable, beneficial, and gratifying for me.

But, over the course of forty years I’ve learned that when I go the easy route, I always end up at the end of a dead-end street with nothing left to do, but, to be humbled by yet another reminder of my brokenness and kneel down to ask my Father for forgiveness for walking away from who He created me to be: my real identity – in Him.

I’ve also learned that I’m not the only one who struggles in this area. Each of us fight a battle daily against competing demands for our attention – some worthwhile and some not. But, our true identity – the one that we need to turn and walk toward again at the beginning of each day – is the eternal identity that God has designed for each of us in Him. We just have to turn, look to Him and say yes.

For me, that means starting each day by prayerfully reading His Word for a few minutes, closing each day in prayer, and turning back to Him mentally and spiritually in each small moment that I can remember to do so throughout each day. When I do, I never regret it and always come away with a new handful of hope to hold close as I walk forward. Try it. You won’t be disappointed. He is always faithful to give us what we need.

“When I’m with you, I feel the real me breaking through.” – Citizen Way


Do you play fantasy football? Do you want to help orphans in the poorest country in the western hemisphere? Join Citizen Way, KJ-52, Sidewalk Prophets, and Audio Adrenaline for a season of fun competition in the BIG BIG YARD FANTASY FOOTBALL LEAGUE in support of The Hands & Feet Project‘s critical battle against the orphan crisis in Haiti. Prizes for league winners include VIP meet-n-greet concert tickets and Haiti Made football gift kits.

HAFFFcover

Register to be a part of Big Big Yard Fantasy Football:
https://handsandfeetproject.webconnex.com/fantasyfootball

For more information about The Hands & Feet Project visit:
http://www.handsandfeetproject.org

Big Big Yard Fantasy Football Facebook Page:
https://www.facebook.com/groups/bigyardHAFff/

Embracing “The Girl With The Tiger Eyes” by Kevin Max

I was talking with a friend recently and he brought up the point that radio stations like KLOVE and AIR1, unfortunately, are defining what is considered acceptable in the Christian marketplace by controlling such a large market share, but, exposing such a narrow template that artists who hope to be played must adhere to in order to even have a chance to survive. Because of this fact, artistry in the Christian world is on a very short leash and it is a disturbing reality since, as Christians, we are not called to reach other Christians, but, to reach the world. How can we do that when we encase ourselves in clean, pre-fabricated plastic molded for optimal marketing potential?

I truly appreciate several of the songs that I’ve heard, so far, from the forthcoming Kevin Max album, PLAYING GAMES WITH THE SHADOW, and the fact that Kevin Max is doing what he does.The video for “Girl With The Tiger Eyes,” while it may raise a few eyebrows in some circles, is an articulate metaphor for the demons that so many of us carry around. Whether hidden in a basement or exposed for all to see, the skeletons in our past (and often our present) are most often neither pastel-colored nor family friendly. There is value in remembering and acknowledging the dark that we deal with – a therapeutic aspect. It is only when we stare down our own brokenness and sift through our own ashes that we can submit to grace and let the rebuilding begin because, if we’re only willing to reveal our surface-level, kid-glove veneers – our Sunday best, we’re lying to ourselves, to God, and the world around us. We’re offering no value. If we can’t affect others at a gut-level and reveal the holes and traps that we’ve fallen victim to, ourselves, we may not affect them at all due to our own vain hypocrisy. There’s an entire world full of drunkards, junkies, victims of abuse, prisoners, and thieves out there that Jesus sought out to spend time with. I’m glad that there are Christians like Kevin Max out there ready, willing, and able to bridge the gap between reality, art, and God in a manner that so many out there on the Road Show/KLOVE/Winter Jam/Hits Deep circuits fail to even attempt due to the fact that they know they won’t get played on Christian radio. There is most certainly a place for clean, family friendly lyrics of praise and pastoral landscapes. The bible instructs us to focus on these things in our personal lives. But, we’re also called to tell the truth.

Unlike His followers, God specializes in those with the deepest wounds. I think we’re often scared off by the possibility of becoming uncomfortable or even being inconvenienced behind our white picket fences. As a parent I know that I get very nervous when it comes to thinking about who or what my kids’ attention is being drawn to when they’re not within my reach, so, I get that. But, I also think that there needs to be a distinction drawn between youth group Christianity and mature Christianity. We need to engage the youth demographic in learning to be thoughtful and critical of what they are listening to, watching, doing, who they are spending their time with and why. I don’t want to cut my kids off from exploring various forms of art (whether music, visual, etc.), but, instead I want then to learn to think critically about it instead of rejecting everything they see and hear in a conditioned knee-jerk manner.

I believe that, if I can effectively raise my kids with that perspective, they will be more equipped to be mature Christians that aren’t driven by fear, but, instead, by truth and confidence in faith and so that they can be free to reach out and consistently show love and respect to those who are different and who may not know Christ on a personal level. If Christians could make an effort to do this as a whole, I don’t think there would be a “religious right” in American politics and Donald Trump wouldn’t have the following that he as (not that the religious right and Trump are always one-in-the-same). People tend to love less when they fear more and the current political climate is capitalizing on that fact.

Kevin Max, to me, represents an important aspect of the mature Christianity that I’m talking about. I wouldn’t say that his entire catalog of poetry and music is representative of it, but, who he is and the art that he produces is certainly a part of the spectrum. Life and the potential that each of us has to affect others and live out our faith happens, most often, off church grounds. Our art, our deeds, our thoughts, and actions should, likewise, be rooted in God (and nurtured in devotion privately each day – as well as with other believers), but, focused in an outward direction and articulated in a way that engages those on the fringe and the outside instead of scaring them off with our Christianese clique subculture.

Max’s forthcoming project, PLAYING GAMES WITH THE SHADOW, I believe, is exemplary of the kind of artful, thoughtful music that is well underrepresented in Christian music and, for that matter, music in general. Thankfully, there are enough people who get it and value the role that his music, and other music like it, plays in the real-world daily lives of so many and the potential that it has to engage those just outside in a way that is as relevant and articulate, in not more so, than anything out there, Christian or secular.

Learn more about how you can support Max’s new project,  and get eight new songs including “Girl With The Tiger Eyes”, here: PLAYING GAMES WITH THE SHADOW.

Meanders Music Review: BROKEN TEMPLES (Deluxe Edition) by Kevin Max + “Love Feels Like” (Feat. dcTalk) from TobyMac’s THIS IS NOT A TEST

BROKEN TEMPLES (deluxe edition) now available through iTunes

BROKEN TEMPLES by Kevin Max was released earlier this year and what follows is my original review of the album as it was released then, but, updated with commentary on the additional tracks available on the Deluxe Edition of BROKEN TEMPLES that is now available through iTunes. Also included in this updated post is the lyric video “Light Me Up” from BROKEN TEMPLES and the lyric video for for the new song “Love Feels Like (featuring dcTalk)” which features Kevin Max, along with Michael Tait, on TobyMac’s just-released album THIS IS NOT A TEST.

Broken Temples, the latest solo album from Kevin Max, the iconic voice of dc Talk and “Kings & Queens”-era Audio Adrenaline, is an album that celebrates space and the perspective it can bring, both figuratively and literally. Lyrics throughout the album paint a bird’s eye view of literal and figurative open highway landscapes, deep valleys amidst jagged peaks, and moments of still, quiet solitude contrasted by the boundless measure of the heavens and the infinite God that moves in, around, and through them.

The themes explored lyrically on this album are a marked departure from Max’s last solo effort, 2010’s Cotes d’Armor (True Rebels). Instead of what, by comparison, were darker, cryptic lyrics juxtaposed with ambient electronica, Broken Temples offers a direct line to hope, but, without the candy coating of Christian clichés so overused on contemporary Christian radio. Laid out on a framework of new wave with occasional nods to the influence of U2, Johnny Cash, and the Beatles, the album is a clear product of Max’s musical influences. That fact, in and of itself, is respectable, since so many artists make so many concessions in their music just for the sake of getting on the radio.
It is Max’s ability to articulately explore and celebrate truths of God and the importance of grace as a dynamic in the lives of believers that I appreciate as much as, if not even more than, his amazing voice. Kevin Max is a poet and his expertise as a craftsman of words is on full display in the songs of Broken Temples. It takes a great lyricist to be able to use words within reach of the common lexicon, and to arrange and partner each of them with just the right musical moments in a song, in order to produce an emotional and personally relevant response within the listener that is both memorable and meaningful, and to do so to a degree that is greater than the sum of its parts. It is even more impressive when he can do so while simultaneously leaving enough room in the interpretation of the lyrics to allow almost anyone to connect their own bruised hearts with the experiences of a man who has stated that the lyrics to the songs of Broken Temples (“Just As I Am,” in particular) are some of the most personal that he’s ever written.
Lyrical gems alluding to the broken nature of humanity, and the relief and purpose that we have the chance to grab hold of through God’s grace, are threaded throughout the album and employed in a manner that communicates hope for the broken without ever conceding to the banality of the latest Christian music industry platitudes. I’m certain that I could tell my own redemptive life story by simply excerpting lines from the lyrics of songs like “Good King’s Highway,” “Light Me Up,” “Just As I Am,” and “That Was Then And This Is Now,” – all songs that reflect back on life-lived, for better or worse, and acknowledging the wonder of grace and eternal hope in the face of it all. But, it is the stripped down arrangement of “That Was Then And This Is Now,” certainly one of my favorite tracks from the album, that grabs me immediately within the first few seconds of the song and engages me on a deeper level, as Max sings about finding assurance and peace in the growing space between the mistakes of our past and the present hope of our future, through the duration of the song.
“Good King’s Highway” is a solid opening track that rings with optimism and celebrates providence in the midst of the journey of life from the very first note going forward while “Light Me Up,” a decidedly and unapologetically-pop song, alludes to God’s ability and desire to use us, in our broken state, for his lasting purpose and, in doing so, provide a more abundant sense of life and meaning than we ever could’ve imagined before. The slick pop sound, set against the substance and poetic depth of the lyrics in “Light Me Up,” “Just As I Am,” and “When We Were Young,” are another characteristic stroke of Max genius.
Purchase and Download the music of Kevin Max on iTunes

Purchase and Download the music of Kevin Max on iTunes

As the 80’s new wave-inspired tracks “Just As I Am” and “Clear” unfold, the listener’s attention is focused inward as Max reflects upon the one-to-one, personal dynamic that exists between God and believer when we choose to accept His hope personally. Max ably meets the challenge of taking a sound so characteristic of the 80’s and making it sound completely relevant decades later.

Like “Good King’s Highway,” “White Horse” has an expansive sound, but, also has a spirit that steers closer to praise music than Max typically ventures. It does so, however, in a truly Max fashion, as he has managed to present a song that honors the truth of God without leaning on standard Christian music industry cut-and-paste lyrics, thus creating a song that is accessible not just to common believers, but, also to a wider audience that appreciates texture and artistry in music.
Broken Temples is rounded out by two Derek Web remixes (of “Just As I Am” and “Clear”) and “Infinite,” a celebratory chorus in the vein of “Give Peace A Chance” by John Lennon and “All You Need Is Love” by the Beatles.  While the argument against including remixes in an album does have merit (who wouldn’t want two more original songs instead?), I enjoy Webb’s alternate take on the two remix songs (“Another Big Mistake” and “Going Clear”) further the continuity of tone established in the first eight tracks of the album, while, also adding texture to the album as a whole. “Infinite” (featuring a well-placed appearance by Rachel Lampa) provides a memorable exclamation point to the album by celebrating the fact that God is so much more than any of us can even comprehend with our finite minds. There is more going on than we can see or even hope to understand, but, God is worthy of our faith.
As a whole BROKEN TEMPLES is simply amazing. Only time will tell whether the album will gain enough of the exposure it is worthy of in order to propel Max’s presence and notoriety in the Christian music industry onward and upward to the level of respect that he deserves as a solo artist. Regardless of whether it does or it doesn’t, Broken Temples is an album that stands firmly on it’s own accord. It takes guts to trailblaze through the wilderness that Kevin Max has and the grace of God to sound this good on the other side.
DELUXE EDITION REVIEW UPDATE: With the July 2015 release of the Deluxe Edition of BROKEN TEMPLES, listeners are treated to an additional five tracks not included on the original album. Two of those, “Lay Down Your Weapons” and “Freak Flag,” were available to supporters of the BROKEN TEMPLES Pledge Campaign when BROKEN TEMPLES released in March, but, the standard version available elsewhere didn’t include them. The Deluxe Edition of BROKEN TEMPLES also includes “Memoria,” “Desperate Heart,” and a demo version of “That Was Then This Is Now.”
 
“Lay Your Weapons Down,” a bluesy, soul guitar track, and “Freak Flag,” a tongue-in-check nod to 90’s Christian rock in the vain of classic Audio Adrenaline and dcTalk, represent a tone not characteristic of the album as a whole, but, certainly warrant their own inclusion as bonus tracks. “Memoria” is my favorite of the additional tracks. It carries on a very Beatle-esque quality that is hinted at on “Infinite,” and one can’t help, but, to sing along after just a listen or two. “Desperate Heart,” on the other hand, fits extremely well into the pop-new wave feel of earlier album tracks such as “Just As I Am,” “Clear,” and “That Was Then This Is Now,” with synthesizer, bass line, drum machine, and vocal textures that would make any 80’s music fan swoon. The demo version of “That Was Then This Is Now,” is very closely related to the slightly more produced version that ended up on the standard release of BROKEN TEMPLES. They are so similar, in fact, that I’m tempted to ask why it was included. But, altogether, the five additional songs gave BROKEN TEMPLES the balance it needed to tip my assessment of this album from 4.5 out of 5 to a full 5 out of 5.
 
There is a fair amount of space for the listener to soak in and reflect upon the lyrics, as presented by Max on BROKEN TEMPLES, in order to make them their own, while the arrangements and production of the album ensure that the songs will only gain traction with repeated listens and that the album, as a whole, will age well and, perhaps even, better than other albums released by his contemporaries in the contemporary Christian music industry. Well done Mr. Max.
 
Meanders Music Review on a scale of 1-5 Stars: 4.5 (BROKEN TEMPLES)/5.0 (BROKEN TEMPLES – DELUXE EDITION)
“Light Me Up” by Kevin Max from BROKEN TEMPLES
Knee-jerk Review: “Love Feels Like (featuring dcTalk)” from TobyMac’s THIS IS NOT A TEST
There has been a good deal of fanfare surrounding the release of Kevin Max’s fellow dcTalk-alum TobyMac’s new album THIS IS NOT A TEST, and with good reason. But, the track that I found most interesting was “Love Feels Like” which features a mini-reunion of dcTalk by including Michael Tait (Tait Band/Newsboys) and Kevin Max (Audio Adrenaline/solo) along with Toby McKeehan. Simply put, it’s a great track. There is a magic that happens when their voices come together that is captured here and they picked the right kind of song to do it on, too. It’s an in-your-face, powerful song that carry’s weight in terms of the sound and the substance of the lyrics. One can only hope that there is more of this on the way.

Music Review: BROKEN TEMPLES (Deluxe Edition) by Kevin Max

BROKEN TEMPLES (deluxe edition) now available through iTunes

BROKEN TEMPLES by Kevin Max was released earlier this year and what follows is my original review of the album as it was released then, but, updated with commentary on the additional tracks available on the Deluxe Edition of BROKEN TEMPLES that is now available through iTunes. Also included in this updated post is the lyric video “Light Me Up” from BROKEN TEMPLES and the lyric video for for the new song “Love Feels Like (featuring dcTalk)” which features Kevin Max, along with Michael Tait, on TobyMac’s just-released album THIS IS NOT A TEST.

Broken Temples, the latest solo album from Kevin Max, the iconic voice of dc Talk and “Kings & Queens”-era Audio Adrenaline, is an album that celebrates space and the perspective it can bring, both figuratively and literally. Lyrics throughout the album paint a bird’s eye view of literal and figurative open highway landscapes, deep valleys amidst jagged peaks, and moments of still, quiet solitude contrasted by the boundless measure of the heavens and the infinite God that moves in, around, and through them.

The themes explored lyrically on this album are a marked departure from Max’s last solo effort, 2010’s Cotes d’Armor (True Rebels). Instead of what, by comparison, were darker, cryptic lyrics juxtaposed with ambient electronica, Broken Temples offers a direct line to hope, but, without the candy coating of Christian clichés so overused on contemporary Christian radio. Laid out on a framework of new wave with occasional nods to the influence of U2, Johnny Cash, and the Beatles, the album is a clear product of Max’s musical influences. That fact, in and of itself, is respectable, since so many artists make so many concessions in their music just for the sake of getting on the radio.
It is Max’s ability to articulately explore and celebrate truths of God and the importance of grace as a dynamic in the lives of believers that I appreciate as much as, if not even more than, his amazing voice. Kevin Max is a poet and his expertise as a craftsman of words is on full display in the songs of Broken Temples. It takes a great lyricist to be able to use words within reach of the common lexicon, and to arrange and partner each of them with just the right musical moments in a song, in order to produce an emotional and personally relevant response within the listener that is both memorable and meaningful, and to do so to a degree that is greater than the sum of its parts. It is even more impressive when he can do so while simultaneously leaving enough room in the interpretation of the lyrics to allow almost anyone to connect their own bruised hearts with the experiences of a man who has stated that the lyrics to the songs of Broken Temples (“Just As I Am,” in particular) are some of the most personal that he’s ever written.
Lyrical gems alluding to the broken nature of humanity, and the relief and purpose that we have the chance to grab hold of through God’s grace, are threaded throughout the album and employed in a manner that communicates hope for the broken without ever conceding to the banality of the latest Christian music industry platitudes. I’m certain that I could tell my own redemptive life story by simply excerpting lines from the lyrics of songs like “Good King’s Highway,” “Light Me Up,” “Just As I Am,” and “That Was Then And This Is Now,” – all songs that reflect back on life-lived, for better or worse, and acknowledging the wonder of grace and eternal hope in the face of it all. But, it is the stripped down arrangement of “That Was Then And This Is Now,” certainly one of my favorite tracks from the album, that grabs me immediately within the first few seconds of the song and engages me on a deeper level, as Max sings about finding assurance and peace in the growing space between the mistakes of our past and the present hope of our future, through the duration of the song.
“Good King’s Highway” is a solid opening track that rings with optimism and celebrates providence in the midst of the journey of life from the very first note going forward while “Light Me Up,” a decidedly and unapologetically-pop song, alludes to God’s ability and desire to use us, in our broken state, for his lasting purpose and, in doing so, provide a more abundant sense of life and meaning than we ever could’ve imagined before. The slick pop sound, set against the substance and poetic depth of the lyrics in “Light Me Up,” “Just As I Am,” and “When We Were Young,” are another characteristic stroke of Max genius.
Purchase and Download the music of Kevin Max on iTunes

Purchase and Download the music of Kevin Max on iTunes

As the 80’s new wave-inspired tracks “Just As I Am” and “Clear” unfold, the listener’s attention is focused inward as Max reflects upon the one-to-one, personal dynamic that exists between God and believer when we choose to accept His hope personally. Max ably meets the challenge of taking a sound so characteristic of the 80’s and making it sound completely relevant decades later.

Like “Good King’s Highway,” “White Horse” has an expansive sound, but, also has a spirit that steers closer to praise music than Max typically ventures. It does so, however, in a truly Max fashion, as he has managed to present a song that honors the truth of God without leaning on standard Christian music industry cut-and-paste lyrics, thus creating a song that is accessible not just to common believers, but, also to a wider audience that appreciates texture and artistry in music.
Broken Temples is rounded out by two Derek Web remixes (of “Just As I Am” and “Clear”) and “Infinite,” a celebratory chorus in the vein of “Give Peace A Chance” by John Lennon and “All You Need Is Love” by the Beatles. While the argument against including remixes in an album does have merit (who wouldn’t want two more original songs instead?), I enjoy Webb’s alternate take on the two remix songs (“Another Big Mistake” and “Going Clear”) further the continuity of tone established in the first eight tracks of the album, while, also adding texture to the album as a whole. “Infinite” (featuring a well-placed appearance by Rachel Lampa) provides a memorable exclamation point to the album by celebrating the fact that God is so much more than any of us can even comprehend with our finite minds. There is more going on than we can see or even hope to understand, but, God is worthy of our faith.
As a whole BROKEN TEMPLES is simply amazing. Only time will tell whether the album will gain enough of the exposure it is worthy of in order to propel Max’s presence and notoriety in the Christian music industry onward and upward to the level of respect that he deserves as a solo artist. Regardless of whether it does or it doesn’t, Broken Temples is an album that stands firmly on it’s own accord. It takes guts to trailblaze through the wilderness that Kevin Max has and the grace of God to sound this good on the other side.
DELUXE EDITION REVIEW UPDATE: With the July 2015 release of the Deluxe Edition of BROKEN TEMPLES, listeners are treated to an additional five tracks not included on the original album. Two of those, “Lay Down Your Weapons” and “Freak Flag,” were available to supporters of the BROKEN TEMPLES Pledge Campaign when BROKEN TEMPLES released in March, but, the standard version available elsewhere didn’t include them. The Deluxe Edition of BROKEN TEMPLES also includes “Memoria,” “Desperate Heart,” and a demo version of “That Was Then This Is Now.”
 
“Lay Your Weapons Down,” a bluesy, soul guitar track, and “Freak Flag,” a tongue-in-check nod to 90’s Christian rock in the vein of classic Audio Adrenaline and dcTalk, represent a tone not characteristic of the album as a whole, but, certainly warrant their own inclusion as bonus tracks. “Memoria” is my favorite of the additional tracks. It carries on a very Beatle-esque quality that is hinted at on “Infinite,” and one can’t help, but, to sing along after just a listen or two. “Desperate Heart,” on the other hand, fits extremely well into the pop-new wave feel of earlier album tracks such as “Just As I Am,” “Clear,” and “That Was Then This Is Now,” with synthesizer, bass line, drum machine, and vocal textures that would make any 80’s music fan swoon. The demo version of “That Was Then This Is Now,” is very closely related to the slightly more produced version that ended up on the standard release of BROKEN TEMPLES. They are so similar, in fact, that I’m tempted to ask why it was included. But, altogether, the five additional songs gave BROKEN TEMPLES the balance it needed to tip my assessment of this album from 4.5 out of 5 to a full 5 out of 5.
 
There is a fair amount of space for the listener to soak in and reflect upon the lyrics, as presented by Max on BROKEN TEMPLES, in order to make them their own, while the arrangements and production of the album ensure that the songs will only gain traction with repeated listens and that the album, as a whole, will age well and, perhaps even, better than other albums released by his contemporaries in the contemporary Christian music industry. Well done Mr. Max.
 
On a scale of 1-5 Stars: 4.5 (BROKEN TEMPLES)/5.0 (BROKEN TEMPLES – DELUXE EDITION)
“Infinite” by Kevin Max from BROKEN TEMPLES
“Love Feels Like (featuring dcTalk)” from TobyMac’s THIS IS NOT A TEST

JesusFreak20: Colored People

I’d like to draw my readers’ collective attention to the following post from the decentchristiantalk blog:

JesusFreak20: Colored People.

It thoughtfully recognizes the song “Colored People,” from dcTalk’s legendary album JESUS FREAK (now 20 years old!)  with the merit it deserves within the historical context of the mid-90’s. It’s worth the read.